Unlikely Nakada Shinsuke's Materialistic Desire Recovery Diary. Vol.2 Hans J. Wegner's Valet Chair

Unlikelyナカダシンスケの物欲回収手帳。Vol.2 ハンス・J・ウェグナーのバレットチェア Unlikelyナカダシンスケの物欲回収手帳。Vol.2 ハンス・J・ウェグナーのバレットチェア

Photo: Takeshi Kimura

Edit: Yosuke Ishii

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Indulging in his insatiable curiosity and desire for material things, designer Shinsuke Nakata, who has seen and experienced everything from all over the world, past and present, will introduce a number of masterpieces and rare items that he has recovered from his unusual perspective. In this second installment, we will look at the Bullet Chair, designed by Hans J. Wegner.

My interest in furniture began with the mid-century era.

Houyhnhnm
Houyhnhnm

I heard that Nakata also likes chairs and collects them.

Nakata
Nakata

It was completely influenced by Ura-Harajuku culture. At the time, Hiroshi Fujiwara, Jun Takahashi, NIGO, and Ikuya Fujii were introducing mid-century furniture, including the Eames shell chair, in magazine features.

I first saw them when I was in high school, and I didn't pay any attention to them at all because I didn't need a chair, but when I became a university student, there were more interior design features and special issues in magazines, and shops like Gallery 1950 and the so-called "Furniture Street" on Meguro Street started to attract attention, and I gradually became interested in them myself.

Houyhnhnm
Houyhnhnm

There were many good shops on Meguro Street.

Nakata
Nakata

That's right. I often visited stores like "Meister," "Modernica," and "Acme." Among them, "Meister" was really cool. I still remember a Jean Prouvé bench from the 1950s. I think it was probably used in a lecture hall, and I was impressed by how it was laid out by itself on the second floor of the store, creating such an impact.

After that, I went around to various shops, studied, and deepened my knowledge.

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