Vintage Clothing Prep School Lecture 1: The origin and the pinnacle. The Levi's®️ denim jacket, which became the template for the scene.
Lecturer: Yu Fujiwara

古着予備校 第一講:原点にして頂点。シーンのテンプレートともなったリーバイス®️のデニムジャケット。 講師:藤原 裕 古着予備校 第一講:原点にして頂点。シーンのテンプレートともなったリーバイス®️のデニムジャケット。 講師:藤原 裕

Photo:Takeshi Kimura

Text:Takehiro Hakusui

Edit:Yosuke Ishii

FASHIONREGULAR古着予備校

Long before today's vintage clothing boom, when the timelines and various changes in specifications in every category had yet to be fully understood, vintage clothing specialists have been focusing on the lifestyles and casual garments of the past and uncovering many historical facts by analyzing them from various angles. The “Vintage Clothing Prep School” will feature experts in various categories such as denim, military, athletic, and outdoor wear as lecturers, focusing on archives that have left their mark in history and the background and appeal associated with them. The first lecture will feature BerBerJin director Yu Fujiwara talking about Levi’s® denim jackets.

Lecturer

Yu Fujiwara

BerBerJin Director / Vintage Denim Advisor

Born in 1977, he is a world-renowned denim maestro who is the director of BerBerJin, a long-established vintage shop in Harajuku, and is also known for overseeing "THE 501®XX A COLLECTION OF VINTAGE JEANS," the world's first archive book to systematically compile the history of Levi's® 501®XX, and "Levi's VINTAGE DENIM JACKETS Type l/Type ll/Typel lll," which marked the beginning of the recent denim jacket boom.

Instagram: @yuttan1977

The T-back Break started as a request from a regular customer.

Houyhnhnm
Houyhnhnm

Do you remember the first vintage denim jacket you ever owned?

Fujiwara
Fujiwara

Of course. The first one I got was a 70505E, commonly known as 4th or Type 4, at a local thrift store when I was in high school. I had already gotten my hands on a 501E, so I wanted to stretch out a little and enjoy a set-up with a jacket from the same era as much as possible. I was also interested in older vintage models such as the 506XX (Type 1) and 507XX (Type 2), but the Type 1 cost 250,000 to 300,000 yen and the Type 2 was about 150,000 yen, so they were out of my reach for my wallet at the time.

Article image Fujiwara of BerBerJin is the person who started today's vintage denim jacket boom and is one of Japan's leading collectors. On the day, he was wearing a 507XX (Type 2) with a thong.
Houyhnhnm
Houyhnhnm

I heard that the next one you got was actually the Type 1?

Fujiwara
Fujiwara

That's right. I joined BerBerJin when I was 21, and the following year I started going on buying trips, and one of my regular customers asked me to buy it if I could find a large Type 1 jacket with two pieces spliced together at the back. Of course, I had never seen anything like it myself, but Zip (current owner of HTC), who was a big name vintage dealer at the time, was a big guy himself, so I thought maybe I could get some information from him.

So I went to visit him right away, and he told me that he had some dead stock in size 50, and it was the first time I'd ever seen one with a T-shaped split back. But of course he wouldn't give it to me, and instead asked me to give it to him if I found it after I returned to Japan, because he said, "No Japanese person would wear something this big."

Houyhnhnm
Houyhnhnm

It seems like they ordered the wrong thing (laughs).

Fujiwara
Fujiwara

After that, I started to search privately in Japan for a larger size pair with a two-piece back. At the time, the standard size was still 38 or 40, so it was hard to find anything, but then I saw a pair in a lighter color and size 46 at a local shop. At that time, the vintage boom had calmed down a bit, and a lighter Type 1 that was the right size could be bought for around 80,000 to 100,000 yen, but this larger pair was being sold at an even lower price. That was my first Type 1, the model that would later be called T-back.

Houyhnhnm
Houyhnhnm

Is that to give to a regular customer, or as your own personal possession?

Fujiwara
Fujiwara

As a personal item (laughs).

Houyhnhnm
Houyhnhnm

That would get you in trouble (laughs).

Fujiwara
Fujiwara

When I stood in the store wearing it, as expected, people asked me, "What's that about?", and I ended up giving it to the regular customer (laughs). However, I had already told my friends in Kansai and other regions to let me know if they found a larger pair, and I had actually already secured the next Type 1 thong through their connections, but when it actually arrived, it was about size 50, which was too big for that time... In the end, I split the cost with my friends and bought it as a birthday present for my friend. The next pair I got was a '47 model, about size 46, which happened to be in stock at our store (BerBerJin), and I wore it for about two years. After that, a vintage shop in Hawaii that was praised as the best in the world at the time was closing, so we decided to buy all the products in the domestic warehouse. That's where I found the thong I'm still wearing today. I've been buying new ones over and over until now.

The price range reversal phenomenon that occurred in the early 2000s.

Houyhnhnm
Houyhnhnm

Originally, just the right size was expensive and big sizes were cheap, but when did these value standards start to reverse?

Fujiwara
Fujiwara

I remember it was around 2004-2005 when I got my third Type 1. Due to the nature of Type 1, if you choose the exact size, the length will inevitably be too short, the shoulders will not droop, and it will be difficult to match with modern sensibilities. Because of this, the number of users looking for larger sizes gradually increased, and the price reversal phenomenon that continues to this day occurred.

Article image Levi's® denim jackets have risen in popularity and prices in the last 20 years, with the Type 1 and Type 2 being particularly popular.
Houyhnhnm
Houyhnhnm

Nowadays, a thong alone can be worth millions, and some can even exceed 10 million yen depending on their condition, but during the vintage boom of the 90s, jeans of course reigned supreme, but denim jackets weren't really that prized. Why do you think the denim jacket has made a comeback?

Fujiwara
Fujiwara

To be honest, during the vintage boom, everyone felt a little embarrassed about wearing a set-up, and I think everyone was a little resistant to it. Then, in the early 2000s, denim was reevaluated due to the influence of hard-core seniors such as Henmi-san (currently at Timeworn Clothing) of Tenderloin at the time, and a generation that had never been into vintage clothing before started to become interested in vintage denim. In other words, there was a reverse trend from reproduction to vintage. In fact, during the same period, not only denim jackets but also many related vintage clothing became in demand after the breakthrough of homages and reproductions.

A pioneering product with such outstanding perfection that it is beyond repair.

Houyhnhnm
Houyhnhnm

However, there are many other rival brands and store brands. What is the reason why Levi's® is so popular among them?

Fujiwara
Fujiwara

As the originator, I think it all comes down to the excellent level of perfection that cannot be changed. Starting with the work jacket, which was also called "blouse" at the time and made from denim fabric since the late 1800s, the Type 1, which officially debuted in the early 1900s, its successor, the Type 2, and the Type 3, which moved from work to fashion and became the template for the so-called "Denim jacket", it has always boasted outstanding originality and excellent perfection, so much so that many subsequent brands have made similar jackets throughout the ages.

As far as I know, Levi's® was the first in the world to develop a denim jacket with double pleats and one pocket, as seen in the Type 1, and they have always been pioneers in terms of design.

Article image Fujiwara oversaw the archive book "Levi's VINTAGE DENIM JACKETS Type l/Type ll/Typel lll," which focuses on denim jackets from Levi's®. It contains many extremely rare models that are museum-quality, and has become a hot topic among enthusiasts.
Houyhnhnm
Houyhnhnm

If you are going to get into vintage denim jackets, do you think Levi’s® is the best choice?

Fujiwara
Fujiwara

That's right. That being said, I think it's too difficult to jump straight into Type 1 or Type 2, so I recommend starting with Type 4 or 70505E. Even though the prices are gradually rising, they're still inexpensive and you can enjoy the unique aging of indigo, and you can wear them daily without worrying about the details.

Gold Rush, Great Depression, World War II, Flower Child, Five vintage Levi's® jackets that defined the turbulent 20th century.

Since the first 506XX was released in the early 1900s, three main models were developed until the 70505E was introduced in 1966, but there are actually quite a few irregular specifications that have been uncovered in recent years. From here, we will review the points you should keep in mind when choosing a vintage denim jacket, mainly focusing on Fujiwara's personal belongings.

1942y LEVI'S 506XX E
Even though it was before material restrictions, the fabric of the thong was war-time specification.

Officially known as the Type 1, it debuted in the early 1900s. In 1941, two years after the outbreak of World War II, the Material Control Order was issued across the United States, and various restrictions were imposed on clothing from the following year. This model was produced during the early days of the control, a transitional period so to speak, and while it barely retains pre-control specifications such as flap pockets and a five-button front closure, the fabric is made of coarse-woven denim, which is synonymous with wartime models. The cinch buckle on the back, commonly known as the buckleback, was also painted black for only a few months between 1941 and 1942. The photo shows a detail that is only available in the big size, the so-called "T-back" model with two strips on the back.

Details

  • The stitching line on the back, which is made up of two pieces, looks like the letter T, which is why it is called

    The stitching line on the back, which is made up of two pieces, looks like the letter T, which is why it is called "T-back." This detail is only available for large sizes above size 46.

  • The black lacquer pin buckle indicates that this watch was produced between 1941 and 1942, which was one of the early war models.

    The black lacquer pin buckle indicates that this watch was produced between 1941 and 1942, which was one of the early war models.

  • Another point that proves it is a wartime model is the denim fabric. It uses coarsely woven denim that retains a rough texture.

    Another point that proves it is a wartime model is the denim fabric. It uses coarsely woven denim that retains a rough texture.

  • The narrow box stitching on the front pleats and the orange stitching on almost all the seams are characteristic of this era.

    The narrow box stitching on the front pleats and the orange stitching on almost all the seams are characteristic of this era.

1944Y LEVI'S S506XX
A mid-war model that was inevitably simplified.

Article image

In 1942, the Material Control Order also affected clothing manufacturers, and various changes to specifications that differed from peacetime were made mandatory. The initial S in front of the model name stands for Simplify. The front opening was changed from five buttons to four, and the same laurel buttons as those used on military rationed items were adopted. The flaps on the front pockets were also eliminated, and a coarsely woven fabric with a strong nap was used. It was only produced for about four years, from September 1942 until the end of the war in 1946, and due to its rarity, its price continues to soar worldwide. This model, with a leather patch sewn slightly lower, is from the mid-war period and is commonly known as the Down Patch. 5.5 million yen (BerBerJin)

Details

  • The leather patch has the faint markings of lot number

    The leather patch has the faint markings of lot number "506" and size "42" remaining. The patch is called a down patch because it is sewn slightly lower than the usual position.

  • The doughnut buttons decorated with laurel leaves are one of the details that symbolize the war model. The box stitching is slightly thicker.

    The doughnut buttons decorated with laurel leaves are one of the details that symbolize the war model. The box stitching is slightly thicker.

  • The wartime model has a simple front pocket without a flap, and the pocket opening has a plain rivet without any markings.

    The wartime model has a simple front pocket without a flap, and the pocket opening has a plain rivet without any markings.

  • The cinch buckle is a pin buckle that fastens by directly piercing the denim fabric. Other than that, unmarked rivets are used, and reused parts are used throughout.

    The cinch buckle is a pin buckle that fastens by directly piercing the denim fabric. Other than that, unmarked rivets are used, and reused parts are used throughout.

1947y LEVI'S 506XX
The culmination of the Type 1, which has been fully restored to its peacetime specifications.

Article image

Production of the wartime models continued for a few months after the end of the war in 1945, and they were finally restored to their original specifications in 1947. However, there are of course some subtle differences when compared to pre-war models. The pin-type cinch buckle is larger, and the lettering engraved on the rivet is slightly more centered. It was manufactured for about seven years until the appearance of its successor, the 507XX, but due to criticism that the buckle needles would scratch car seats, later models were changed to slide buckles. 1.1 million yen (BerBerJin)

Details

  • The front pocket flaps that had been eliminated during the war were reinstated, and the number of front buttons was returned to five from four.

    The front pocket flaps that had been eliminated during the war were reinstated, and the number of front buttons was returned to five from four.

  • One of the distinctive details of the Type 1 is that the upper flap of the cuffs turns from the outside to the inside.

    One of the distinctive details of the Type 1 is that the upper flap of the cuffs turns from the outside to the inside.

  • The rivets are engraved with

    The rivets are engraved with "LS & CO. - SF. -". The engraving is on the inside along the convex part, which is another indicator of this era.

  • The receiving part of the cinch buckle has a notched pattern to prevent slipping. This particular example, made after the war, has a fine pattern like a file.

    The receiving part of the cinch buckle has a notched pattern to prevent slipping. This particular example, made after the war, has a fine pattern like a file.

1953y LEVI'S 507XX
In fact, the mysterious Type 2 continued to be produced even after the introduction of the Type 3.

Article image

The so-called Type 2 was introduced in 1953. The front had two pockets, the back adjuster changed from a buckle to a button, and in 1954, the white name of the red tab, which is a proof of Levi's®, was woven on both sides. After the Type 3 was introduced in 1961, it was usually discontinued, but in recent years, even a small paper patch version was found, which was adopted from Type 4 onwards, and although the reason is unclear, it is believed to have been produced until the late 1960s. Due to the design of the armhole, the length is shorter than Type 1 even if it is the same size, and one of the major features is that the cufflinks are upside down.

Details

  • The words

    The words "EveryGarment Guaranteed" are faintly printed on this paper patch, commonly referred to as a "guaranteed" patch. The lot number "507XX" and size "48" are also visible.

  • The cuffs are one of the minor changes from Type 1. The flap is now turned upside down, from inside to outside. This orientation has been used ever since.

    The cuffs are one of the minor changes from Type 1. The flap is now turned upside down, from inside to outside. This orientation has been used ever since.

  • The Type 1 had a cinch buckle for waist adjustment, but this was abolished due to concerns that it could damage the seat. The Type 2 was changed to a side button.

    The Type 1 had a cinch buckle for waist adjustment, but this was abolished due to concerns that it could damage the seat. The Type 2 was changed to a side button.

  • The big size Type 2 has a so-called

    The big size Type 2 has a so-called "side strip" where fabric is added under the armpits on both sides. By the way, T-backs are applicable from size 52.

1960's LEVI'S 557
The Type 3 has a completely new design, making it modern and smart.

Article image

The 557, commonly known as Type 3, which became the model for today's denim jackets, debuted in 1961, at the beginning of the 60s, when denim had become more and more fashionable. The double pleats on the body were eliminated, and a V-shaped stitching running from the yoke to the waist was introduced, and it was produced for about seven years until the appearance of its successor, the 70505 (Type 4). The first model was known as the 557XX with a paper patch that read "Every Garment Guaranteed," followed by the 557XX, 557, and 557-70505. The metal buttons were also replaced with copper, and the denim fabric was changed to pre-shrunk denim that had been treated to prevent shrinkage.

Details

  • The early 557XX patches were paper patches with a guarantee, but later on the

    The early 557XX patches were paper patches with a guarantee, but later on the "Every Garment Guaranteed" words were removed and the patch became "unguaranteed."

  • Up until Type 2, silver metal buttons were used, but from Type 3 onwards, the buttons were changed to copper buttons while keeping the lettering design.

    Up until Type 2, silver metal buttons were used, but from Type 3 onwards, the buttons were changed to copper buttons while keeping the lettering design.

  • When a patch is missing, you can tell if it is a 557XX or a 557 by touching the fabric behind the flap pocket. XX is made of light-ounce denim, while other items are made of the same denim as the body.

    When a patch is missing, you can tell if it is a 557XX or a 557 by touching the fabric behind the flap pocket. XX is made of light-ounce denim, while other items are made of the same denim as the body.

  • The back of the Type 3 has a shaped cut. The length has also been improved, giving it a smarter silhouette.

    The back of the Type 3 has a shaped cut. The length has also been improved, giving it a smarter silhouette.

INFORMATION

BerBerJin

Address: 3-26-11 Jingumae, Shibuya-ku
Phone: 03-3401-4666
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